Fine Art Gallery – Bing Gallery http://binggallery.com/ Fri, 22 Oct 2021 09:05:20 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://binggallery.com/wp-content/uploads/2021/04/default-150x150.png Fine Art Gallery – Bing Gallery http://binggallery.com/ 32 32 “Afro-Atlantic Stories” traces art across an ocean at the Houston Museum of Fine Arts https://binggallery.com/afro-atlantic-stories-traces-art-across-an-ocean-at-the-houston-museum-of-fine-arts/ Fri, 22 Oct 2021 09:05:20 +0000 https://binggallery.com/afro-atlantic-stories-traces-art-across-an-ocean-at-the-houston-museum-of-fine-arts/ Clearly, the visual arts reward those who are able to see works in person, as opposed to those who do their best with books – or, worse yet, the kinds of thumbnail images prevalent online. But the two pieces that create a gateway to “Afro-Atlantic Histories,” a new exhibit at the Museum of Fine Arts […]]]>

Clearly, the visual arts reward those who are able to see works in person, as opposed to those who do their best with books – or, worse yet, the kinds of thumbnail images prevalent online. But the two pieces that create a gateway to “Afro-Atlantic Histories,” a new exhibit at the Museum of Fine Arts in Houston, underscore the need to come together, and both also caught my eye online: “Os lui touros” (The Two Bulls), a tapestry from 300 years ago, and “Éramos as cinzas e agora somos o fogo” (We were the ashes and now we are fire) by Brazilian artist Maxwell Alexandre, from 2018.

Familiar with digital versions of the images, I was nevertheless not prepared for the scope and scale of these two works, which do not weigh so much on the viewer as they invite slow and spatial contemplation. Each slows down time, prompting the viewer to stop for a moment before entering this challenging and wonderful exhibition that spans centuries of art depicting the African Diaspora resulting from the slave trade in North and South America. Both of these pieces are brimming with small visual details that feed into a larger whole. They would look imposing without the fact that they are so inviting. For two works of such a large size, both alert visitors that certain smaller details carry significant weight.

Throughout this exhibition, small touches attract attention. Alexander’s work includes 16 connected panels that represent various black experiences that span the territory from spiritual expression to solitary comfort to oppression and public unrest. The pieces that form the end of the exhibition, including Barkley L. Hendricks’ George Jules Taylor, a 1972 painting, a striking portrait with attention to smallness even when the canvas is imposing.

Hendricks’ very large painting captures his subject barefoot and clad in a cape, his feet suggesting a sort of dance movement. The luminous oil figure is contrasted with a flat acrylic background, giving the piece a shine when the light is on.

“Afro-Atlantic Histories” has taken a fascinating path to Houston. The exhibition has its roots in an exhibition three years ago at the Museu de Arte in São Paulo, Brazil. Curator Adriano Pedrosa has selected more than 450 works from two galleries. Kanitra Fletcher of the MFAH attempted to take the show’s spirit from Pedrosa and reinvent it for Houston, where it is making its first North American appearance.

Pedrosa’s exhibit runs through “Afro-Atlantic Stories” but the show has been modified to attract more of a more selectively regional audience. Fletcher worked with Pedrosa and Alison de Lima Greene on “Afro-Atlantic Histories” before accepting a new position in Washington, DC, as the National Gallery‘s first-ever Curator of African American and Afro-Diaspora Art. . The exhibition will travel to the National Gallery next year after it closes here.

When: From Wednesday to Sunday until January 17

Or: Museum of Fine Arts, Houston, 1001 Bissonnet

Details: $ 12 to $ 19; 713-639-7300, mfah.org


From cards to portraits

The arrangement of “Afro-Atlantic Histories” is brilliant for the way it skips the timeline in favor of the theme. “Maps and Margins” introduces visitors to the exhibition.

Pedrosa created a large-scale exhibition in Brazil to capture the extent of the slave trade on the culture of the Americas. For its North American tour, the exhibition remains linked to its origin, while refocusing on this continent. A close connection between the two exhibits is the reliance on histórias, a Portuguese term which Pedrosa says does not have a clear English translation. “It encompasses fiction and non-fiction,” he says. It can be personal or political, historical or fictional, micro or macro.

Fletcher was involved in transferring this concept to a North American audience. “We wanted to redesign it for audiences in Houston, but also across North America,” says Fletcher, “representing artists who bring different perspectives to a long history.”

Fletcher highlights “Plan and Sections of a Slave Ship” by James Phillips Cornwall, a cold, clinical drawing of the interior space of a ship that would be a motif throughout many works from beginning to end of the exhibition. A self-portrait photograph of Nona Faustina places the artist completely naked on a block of wood to recreate auctions that took place in New York City centuries ago. Among the points that the photographer wishes to convey: the North was, at least for a time, as complicit as the South in the slave trade.

Gary Tinterow, director of the MFAH, describes the exhibition’s journey as “painful but enlightening”.

Fletcher calls the “Maps and Margins” section “fundamental,” but even then, this part of the gallery isn’t simply presented as the start of a timeline. “Scourged Back”, a photograph from the 1830s, serves as a point of reference, a seed: the tiny image manifests itself majestically in works that will be produced more than a century later via a photograph or a sculpture manipulated like “Ex -Slave Gordon ”, a vacuum-formed plastic piece by Arthur Jafa that reproduces the subject’s protruding triangular arm in a piece that deciphers the three-dimensional wounds of flogging. The progression along this wall creates a devastating atmosphere. A small but striking 1980s sculpture by Houston-based Melvin Edwards, “Palmares”, also fuels the theme, its twisted pieces of metal listening to the scars marked by hatching on the back of the man identified only as “Gordon” .

Comfort, party, rebellion

A collection of portraits representing blacks from different countries at different times constitutes the last gallery of the exhibition.

It pulls a thread that connects various regional panels sewn together: various nations across the Americas. “Afro-Atlantic Stories” certainly serves the purpose of presenting various ways in which African cultures were taken from their native land and sunk into a faraway place, where they served for later purposes – comfort, rebellion, celebration – as they went. and as they were absorbed by other cultures. The exhibition is full of what Fletcher calls “echoes” – small elements that cross time and national borders to resonate the same in very different contexts. “There are elements that connect the pieces throughout,” she says.

In this way, the exhibit makes two great land masses separated by the equator (and many Caribbean islands as well) feel interconnected by a macabre trade that – over the centuries – has changed Western cultures in inestimable ways.

The painting “Skylark” particularly caught my attention as I worked through this exhibition. The hopeful explosions of color applied through the centuries have certainly had an impact. But “Skylark” is a strangely haunting work. Lynette Yiadom-Boakye’s play features a black man, his neck surrounded by a feathered collar. Painting stands out among his business, which often sports splashes of bright color. “Skylark” works with brown in the same way that Rothko Chapel canvases work with purple: the colors blend into something that looks like black, then reappear depending on the light. The figure in the painting is surrounded by ostentatious decor, but framed with such sobriety that its glamor requires close attention and perfect light.

Two small strokes of white paint break up the dark tone of the painting, each representing the dazzling white sclera of the character’s eyes.

Here, the celebration of blackness or brown requires a long, hard look. The whiteness of the eyes is imposing, but also a distraction – as if Yiadom-Boakye is asking the viewer to come closer to see the variety of shades in the painting. Observe what has been too often invisible.

andrew.dansby@chron.com


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The Riverside Artists Gallery will close on December 31 | News, Sports, Jobs https://binggallery.com/the-riverside-artists-gallery-will-close-on-december-31-news-sports-jobs/ Thu, 21 Oct 2021 04:01:52 +0000 https://binggallery.com/the-riverside-artists-gallery-will-close-on-december-31-news-sports-jobs/ Virginia Killian shows some of the works she has for sale at the Riverside Artists Gallery. After more than 20 years, the Riverside Artists Gallery will close its doors on December 31. Virginia Killian, one of the founding members, said she wanted to go out with a bang instead of whining, so there will be […]]]>

Virginia Killian shows some of the works she has for sale at the Riverside Artists Gallery.

After more than 20 years, the Riverside Artists Gallery will close its doors on December 31.

Virginia Killian, one of the founding members, said she wanted to go out with a bang instead of whining, so there will be shows until the end of the year.

She said they decided to close the gallery for a number of reasons.

“We couldn’t find a way to keep it open with the number of artists we have,” she said. “We wanted to be a destination gallery. Our art is in many homes.

She said they decided to close due to a combination of changing weather and changing market.

“The company has changed and it no longer works”, she said. “We don’t attract new young artists. We can’t find a way to keep it open that doesn’t degrade the art.

She said more than 70 artists have exhibited their work at the gallery over the years. They showed art in high school every year and hundreds of children attended their art camp.

Killian said she wasn’t sure what would happen to the art now on display at the gallery. She said the Parkersburg Art Center is opening a store and some members may sell their art there.

“And friends and family will be really lucky”, she added. “But we hope to sell a lot.”

In 23 years of activity, the gallery has been through a lot, including three moves, two floods and a fire in 2010.

He started at 125 Front St. and eventually moved to 188 Front St.

“We have had two fires in six months. We did not lose any work in the floods, but we lost a lot of work in the fires ”, Killian said.

The gallery features felting, jewelry, photography, ceramics, paintings and copperwork, she said.

“Fine arts and crafts” she said. “We attach great importance to what we put on our walls and displays. “

Hours of operation are 10 a.m. to 5 p.m. Wednesday to Saturday. Killian said they had to cut their hours because they didn’t have enough people to keep it open.

“We have some excellent volunteers and we are open late on the first Fridays”, she noted.

Gallery member Betsy Cook said artists are bringing in new art and there will be exhibitions in November and December on the first Friday and throughout the month.

The November show is “For the love of glass” with guest artists Dave Fetty and Nick Delmatto and Riverside member Bonnie Proudfoot.

“We imagined it was an artistic tourist destination. There were a number of art galleries. Killian said. “There are still some wonderful art shops in town. Unfortunately, we will no longer be among them.

Michele Newbanks can be contacted at mnewbanks@mariettatimes.com.

In short :

∫ The gallery will close on December 31.

There will be shows on the first Fridays of November and December.

Gallery opening hours are 10 a.m. to 5 p.m. Wednesday to Saturday.

∫ It is located at 219 Second St., Marietta.

∫ Artworks will be 10% off from November.

Source: Riverside Artists Gallery.

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USI – McCutchan Art Center / Pace Galleries will host two exhibitions, -RHIZA and the 2021 Senior Seminar Exhibition https://binggallery.com/usi-mccutchan-art-center-pace-galleries-will-host-two-exhibitions-rhiza-and-the-2021-senior-seminar-exhibition/ Tue, 19 Oct 2021 22:13:06 +0000 https://binggallery.com/usi-mccutchan-art-center-pace-galleries-will-host-two-exhibitions-rhiza-and-the-2021-senior-seminar-exhibition/ Image Copyright: McCutchan Art Center / Pace Galleries The McCutchan Art Center / Pace Galleries is delighted to present two exhibitions to complement the fall semester, -RHIZA, an installation of experimental works by former Katherine Watts, and the Senior Seminar Exhibition 2021. Katherine Watts ’07 is an ISU alumnus who recently received her MFA from […]]]>

Image Copyright: McCutchan Art Center / Pace Galleries

The McCutchan Art Center / Pace Galleries is delighted to present two exhibitions to complement the fall semester, -RHIZA, an installation of experimental works by former Katherine Watts, and the Senior Seminar Exhibition 2021.

Katherine Watts ’07 is an ISU alumnus who recently received her MFA from the University of Louisville. -RHIZA, a collection of works of art that focuses on an immersive experience of local ecology as well as the dichotomous relationship of humanity and nature, is presented through the eyes of the artist, the eco -philosophy, eco-feminism, mycology and metaphor.

At 4:30 p.m. on Thursday, October 21, Watts will give an artist talk on his work and the exhibition. The conference will take place at the USI Performance Center, adjacent to University Center East.

Senior Seminar Exhibition 2021

The Senior Seminar Exhibition 2021 presents the creative work of 10 students in art, graphic design, interactive media and illustration. Senior Art and Design Seminars are comprehensive courses for art and arts education majors and combine a discussion of current aesthetic issues in the visual arts with practical knowledge in preparation for career or graduate study. Synthesis courses are also an assessment of the artistic growth and potential of students. This group exhibition is the culmination of these courses and a highlight in the careers of art majors at USI.

The show’s attendees include senior students Laisha Diaz De Leon, Kassiti Fink, Jade Hatcher, Ally Hinton, Mitchell Marcrum, Jerrith Morrison, Kelsey Parker, Faith Spahr-Munoz, Elizabeth Vanada and Joely Will.

The exhibition will run from October 18 to December 10. The opening hours of the gallery are 10 a.m. to 4 p.m. Monday to Friday and 1 p.m. to 4 p.m. on Sunday. The McCutchan Art Center / Pace Galleries is located on the lower level of the Liberal Arts Center. For more details, visit the gallery website.

Face coverings are mandatory in the gallery and in all campus buildings. A physical distance of three feet or more is also expected at all times. If you plan to bring a group of 10 or more to the exhibit, consider contacting the gallery in advance.


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Irrgang finds itself in perpetual creative movement | Lifestyles https://binggallery.com/irrgang-finds-itself-in-perpetual-creative-movement-lifestyles/ Mon, 18 Oct 2021 11:00:00 +0000 https://binggallery.com/irrgang-finds-itself-in-perpetual-creative-movement-lifestyles/ She is an artist, a designer, an illustrator, a muralist, a designer, a knitter, a teacher, a musician, a singer, a circus aerial and a Girl Scout leader! The vibrant and perpetually creative Laura Irrgang is perhaps best known locally for her “You Be You” mural on the wall behind the Uptown Forum in downtown […]]]>

She is an artist, a designer, an illustrator, a muralist, a designer, a knitter, a teacher, a musician, a singer, a circus aerial and a Girl Scout leader!

The vibrant and perpetually creative Laura Irrgang is perhaps best known locally for her “You Be You” mural on the wall behind the Uptown Forum in downtown Greenville.

In addition to the design and painting of the mural, which was sponsored by Hunt County Public Art, the multi-talented resident of Lone Oak has a wide range of artistic activities and skills.

Irrgang paints fine art and works as an illustrator. Currently, she is waiting for the delivery of a knitting book that she illustrated.

“This is the world’s first graphic knitting novel,” she said during a recent special lunch break at the Audie Murphy American Cotton Museum. “The book will be available in 2022.

Not only does she excel in the visual arts, but Irrgang also plays the harp and sings. She started and ended her presentation at the museum with music.

Irrgang’s slideshow at the museum included his “Fall Series” of paintings, which were on display at the Texan Theater in the fall of 2020.

“I love country music,” she says. “It reminds me of my grandparents and brings me comfort and joy. I also love fall, Halloween, harvest festivals and knitting. I created images of country artists during the fall season. I imagined Johnny Cash in a scarf, bringing home apples in June. I painted George Jones and Tammy Wynette stargazing (before “DIVORCE”) and Charlie Pride with the perfect pumpkins. Dolly Parton drives a yellow van and Buck Owens and Roy Clark of “Hee-Haw” are in tandem. Loretta is making soup. Merle Haggard relaxes with candles and Willie Nelson burns leaves.

For every star in the country, she designed patterns, for the fabric or for the backdrops.

“I like to do model design,” she said. “Sometimes I use the model as a starting point.” Irrgang teaches an online skill sharing course. Currently, she teaches her students the “Acrylic Skills Sharing Challenge: Five Days of Fall”.

Before she started painting the “You Be You” mural, Adam, Irrgang’s husband, built scaffolding for her to work on the Payne’s Upholstery wall in the parking lot of the Uptown Forum.

“I researched which fish are native to the lakes in Hunt County and North Texas,” she said. “Fish

are stylized in the mural to make them more colorful and fun. It took six months to finish the mural, and I was able to finish it as soon as the pandemic started. I love seeing the photos with the birthday fish as well as other photos as people pose in front of the mural.

Irrgang varies his style of painting by employing several different mediums.

“I work in oils and acrylics,” she said. “I also work with an iPad using Procreate and an Apple Pencil to make the art look like a number of mediums. I paint as I do on canvas except that I do it digitally. You can make it look like many traditional mediums, from pastel to ink drawing.

“For my gallery art, I work in a surreal way. I did a painting for an exhibition called “The Flor de Vida” in tribute to Frida Kahlo at the Bath House Cultural Center in Dallas. The painting is called “The Three Fates” and is an allegory of the Greek myth of the goddesses with Kahlo depicted as a deer. I am there as one of the spinners.

“I created abstract art trying to replicate the agate rock formations that we have in Texas. With this technique, I pour paint, add chemicals and use a blowtorch.

In 2018, Irrgang was inducted into the Texas Chapter of the National Cartoonist’s Society in honor of her online comic entitled “Glitterville.”

“I have a very rude cranberry narwhal named Nadine that nobody likes,” she said. “Her friend Eunice is a unicorn. While Nadine is rude, Eunice is pathologically positive.

“I wrote ‘Glitterville’ until the pandemic. It just seemed a little fluffy at the time, so I created a new cartoon called ‘Gregg’ as a comic book representation of our neurosis. Gregg is a huge green pickle and struggles to wear a mask because he has no ears or nose. He anxiously goes through the ordeals of social distancing and shopping. “

Irrgang Art Studio can only be described as fabulous.

“The studio is divided into three parts,” she said. “In the Fiesta room, I have folk art, Mexican sculptures and masks. The Halloween room, which is used to make holiday items, has orange and yellow striped walls that were difficult to paint. The Scheherazade room is based on the story of 1001 nights with lanterns with faux stained glass scenes and a swinging bed.It is also used as a guest bedroom.

When she got the chance to be a part of Circus Espana, the artist made her dream of a to-do list come true.

“I spent the whole month of September playing in a circus,” she said. “Circus Espana is a fifth generation circus that spends its off season in Greenville. In Little Elm, I played lyra, which is also called an aerial hoop. I do high figures.

Irrgang serves as the Girl Scout troop leader.

“My daughters Piper and Violet go to school in Lone Oak,” she said. “As it is a small neighborhood, our troop includes girls from kindergarten to college. We went to the Betty Perot camp near Palestine where the scouts were able to ride horses and learn to archery. The troupe was also able to spend a slumber party at the Perot Museum of Nature and Science in Dallas.


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Saher Nassar rebels against misleading metaphors at the Zawyeh gallery https://binggallery.com/saher-nassar-rebels-against-misleading-metaphors-at-the-zawyeh-gallery/ Sun, 17 Oct 2021 04:38:30 +0000 https://binggallery.com/saher-nassar-rebels-against-misleading-metaphors-at-the-zawyeh-gallery/ Scenes from the composition Smoking Kills. Muhammad Yusuf, Feature Writer Zawyeh Gallery, Alserkal Avenue, Dubai, has announced the opening of a new exhibition titled “Metaphor” by young Palestinian artist Saher Nassar (until November 6). In his first exhibition, Nassar reflects the spirit of a mutineer or a revolutionary. He rebels against dominant metaphors, established symbols […]]]>

Scenes from the composition Smoking Kills.

Muhammad Yusuf, Feature Writer

Zawyeh Gallery, Alserkal Avenue, Dubai, has announced the opening of a new exhibition titled “Metaphor” by young Palestinian artist Saher Nassar (until November 6).

In his first exhibition, Nassar reflects the spirit of a mutineer or a revolutionary. He rebels against dominant metaphors, established symbols and the power of authority.

The exhibition consists of four series of works of art that focus on the theme of breaking metaphors and resisting rules, expectations or norms and questioning representations of the establishment and the authority.

Nassar works in a range of materials and styles and uses a mix of abstract paintings, collages, drawings and photographs in addition to ready-made objects.


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He ridicules and exposes what lies below and beyond the surface, encourages acceptance of other opinions, beliefs and behavior different from his own, and rejects the dominance of power and authority.

In one series, he places five packs of cigarettes in the middle of five different archival images of wars that have taken place in five different countries around the world.

The message on the five packs reads: Smoking Kills, in the five languages ​​related to the different geographic areas where the photos were taken.

The series focuses on two levels of dangerous threats to humanity: war and smoking. Nevertheless, the third layer that it tries to convey reads between the lines: it is the deadly combination between capitalism and politics, where the politics of war paves the way for Western multinational conglomerates, to dominate the economies of the poorest countries. , by selling products that also kill.

In Network, Nassar’s works take the form of abstract art, through colorful geometric bands that occupy the canvas. In the middle of each work, he adds a real sample of blood slide.

saher 1

The stripes are meant to reflect the variety of data in the blood samples, representing “his behavior, likes and dislikes, and what makes them what they are.”

So while a drop of blood can metaphorically unite a group of people, the details tell a different story. In this sense, the artist launches his appeal against tribal partisanship and ethnocentrism. He looks at how individuals are and not what they appear to be.

In Kill The Metaphor, he presents a series of mixed media works, exploring “the myth of power and the power of myth”, in different ways.

Nassar says his works are meant to undermine the status quo and highlight the exercise of power and authority imposed on individuals and society in general, and they are meant to discuss control and domination and attempts to resist them.

He explains the metaphor as “a tool to help us understand phenomena and make sense of the world around us; however, this could be misleading and could prevent us from seeing the truth.

Nassar’s carefully chosen words and images attempt to exhibit objects or actions that reinforce the authority of power over people and encourage narrow-mindedness, while making them think otherwise.

“Two things are the keys to my job,” says Nassar. “Knowledge and in-depth observation, which I believe are best practices for encountering and solving visual problems.

“I developed as an illustrator and fine artist alongside my professional development in design and visual branding, and my goal has always been to accompany the structural elements of design with the right aesthetics, looking for big ideas. “Metaphor” is organized as part of a series of exhibitions on Alserkal Avenue with the aim of encouraging young Palestinian artists to create and become participants, and provide them with a platform to exhibit their works in front of a wider international audience. This is part of the gallery‘s attempts to empower and support young emerging artists.

Nassar was born in Palestine in 1986. After graduating from the University of Hertfordshire, England, he began a career in illustration and graphic design, working with various renowned media institutions.

It didn’t take long before he discovered himself as an artist and embarked on his art journey. He uses different methods and materials and his artistic approach oscillates between conceptual, abstract and pop art.

He has participated in several group exhibitions and has been commissioned by Alserkal Avenue and Manarat Al Saadiyat (MAS), Abu Dhabi, among other institutions of the United Arab Emirates.

His current practice is focused on contemporary art, and his works tend to discuss a variety of topics and present social criticism that correlates with an individual’s conformity and the status quo.

He has participated in several art projects and exhibitions, including a group exhibition at the Satellite Gallery, Dubai, United Arab Emirates (2017), a group exhibition, Tashkeel Hub Gallery, Dubai, United Arab Emirates (2018), in addition to orders from DIFC, Dubai (2019), Emaar Foundry, Dubai (2019) and BMW, Dubai (2019).

He was born in Gaza and lives and works in Dubai. He graduated from the College of Applied Art, Palestine. At the University of Hertfordshire, he studied illustration. Social observation and self-interpretation are key roles in her creative practice, which intersects with skills in art and design.

Zawyeh Gallery is an independent visual art gallery founded in Ramallah, Palestine, in 2013. Since 2020, the gallery has grown by opening in a second location in Dubai.

The gallery’s mission is to promote emerging and established Palestinian artists – from Palestine and the Diaspora – through various thematic exhibitions at home and abroad.

In recent years, he has organized several solo and group exhibitions, showcasing works of art based on a variety of mediums including painting, sculpture, installation, video and photography.

Zawyeh aims to support young artists and present contemporary and modern Palestinian art internationally, by participating in art fairs, exhibitions and projects.

The gallery has participated in numerous art fairs, including Paris Contemporary Art Show P / CAS (2019), Contemporary Istanbul (2019), Galleries at MAS, Abu Dhabi (2019), Art Dubai (2021, 2019, 2018, 2017 , 2016), Abu Dhabi Art (2019, 2018) and Beirut Art Fair (2018, 2017).

Zawyeh believes in investing in creativity and artistic talent in Palestine, as a means of resilience in the face of adversities.


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Gallery Night returns Friday night to the city of Erie https://binggallery.com/gallery-night-returns-friday-night-to-the-city-of-erie/ Fri, 15 Oct 2021 21:57:00 +0000 https://binggallery.com/gallery-night-returns-friday-night-to-the-city-of-erie/ Gallery Night is back for the first time since 2019. The popular event is scheduled to resume Friday evening from 7:00 p.m. Local galleries will be open for free. With the exception of the Erie Art Museum, there is an entrance fee of $ 3 for non-members. Reservations are also required at the Erie Art […]]]>

Gallery Night is back for the first time since 2019.

The popular event is scheduled to resume Friday evening from 7:00 p.m.

Local galleries will be open for free. With the exception of the Erie Art Museum, there is an entrance fee of $ 3 for non-members.

Reservations are also required at the Erie Art Museum along with proof of vaccination.

Participating galleries include:

Erie Art Museum
20 E 5th St, Erie, PA 16507
erieartmuseum.org

Gallery of winegrowers
10 E 5th St, Erie, PA 16507
glassgrowersgallery.com

Radius CoWork
1001 State St # 907, Erie, PA 16501
radiusco.work

PACA Gallery
1505 State St, Erie, PA 16501
paca1505.org

1020 Collective
1020 Holland, Erie PA 16501
1020collective.com

Gallery V
3330 W 26th St, Erie, PA 16506
erievgallery.com

32 West 8th
32 West 8th, Erie PA 16501
32westhuitième.com

The Andora bubble
516 State St, Erie, PA 16501
andorasbulle.com

City Gallery LLC
1503 State St, Erie, PA 16501
Facebook.com/citygalleryerie

Hopkins Denniston Gallery
Fine Arts & Boutique
5 West 10th Street, Erie, PA 16501: D’Hopkins Denniston Gallery

Noodles
@ PACA
1505 State St, Erie, PA 16501
noodlefishprod.com

Give A Crepe La CrepErie LLC
2431 Peach Street, Erie, PA 16502
Giveacrepeonline.wordpress.com

Green bean coffee
2425 Peach Street, Erie, PA 16502
tipsybean.cafe


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Colorado Springs area entertainment events starting October 14 | Calendar events https://binggallery.com/colorado-springs-area-entertainment-events-starting-october-14-calendar-events/ Thu, 14 Oct 2021 18:00:00 +0000 https://binggallery.com/colorado-springs-area-entertainment-events-starting-october-14-calendar-events/ THURSDAY Lila Mori & Jana Lee – 7-10 p.m., Red Gravy, 23 S. Tejon St .; redgravyco.com/blue-at-red-gravy-2. The red combination device – With Astoria State, Long / Last, False Report, 7 p.m., The Black Sheep, 2106 E. Platte Ave., $ 15. Tickets required: blacksheerocks.com. Wheel of Destiny – With John Rumery, 7:30 p.m., Loonees Comedy […]]]>

THURSDAY

Lila Mori & Jana Lee – 7-10 p.m., Red Gravy, 23 S. Tejon St .; redgravyco.com/blue-at-red-gravy-2.

The red combination device – With Astoria State, Long / Last, False Report, 7 p.m., The Black Sheep, 2106 E. Platte Ave., $ 15. Tickets required: blacksheerocks.com.

Wheel of Destiny – With John Rumery, 7:30 p.m., Loonees Comedy Corner, 1305 N. Academy Blvd., $ 6. Tickets required: looneescc.com.

The catwalk lounge – With comedians, 7:30 to 9:30 p.m., Lulu’s Downstairs, 107 Manitou Ave., Manitou Springs, $ 10 and more. Tickets required: tinyurl.com/36nx6a8p.

THURSDAY FRIDAY

“Sublime natural” – works by Jared Brady, Robin Cole and Melissa Cooper, 4-8 p.m., Broadmoor Galleries, 1 Lake Circle; broadmoorgalleries.com.

THURSDAY-OCT. 30

“The boys” – 7:30 p.m. Thursday to Saturday, 2 p.m. Sunday, Millibo Art Theater, 1626 S. Tejon St., $ 22- $ 28. Tickets required: themat.org.

FRIDAY

Spur – 6-8 p.m., Buffalo Lodge Bicycle Resort, 2 El Paso Blvd .; bikeresort.com.

John spengler – 7-10 p.m., Red Gravy, 23 S. Tejon St .; redgravyco.com/blue-at-red-gravy-2.

Just in time – Tribute to Bonnie Raitt, 7 p.m., Stargazers Theater, 10 S. Parkside Drive, $ 15-20. Tickets required: stargazerstheater.com.

Cheap perfume, Worry, Saustro and the Fruity Loops – 7 p.m., The Black Sheep, 2106 E. Platte Ave. Tickets required: blacksheeprocks.com.

Tasha cobbs – 7:30 p.m., Pikes Peak Center, 190 S. Cascade Ave., $ 48 and up. Tickets required: pikespeakcenter.com.

Veronika String Quartet – 7:30 to 9 p.m., Colorado College, Packard Hall, 5 W. Cache La Poudre St., $ 25. Tickets required: veronikastring quartet.com.

Pink down – With Sum Beaches and We Are Not a Glum Lot, 8 p.m., Lulu’s Upstairs, 107 Manitou Ave., Manitou Springs, $ 10. Tickets required: lulusdownstairs.com.

Ryan flores – 8:30 p.m., The Wild Goose Meeting House, 401 N. Tejon St., $ 5; wildgoose meetinghouse.com.

FRIDAY SATURDAY

Piano shows in Denver – 7 p.m., Boot Barn Hall at Bourbon Brothers, 13071 Bass Pro Drive, go online for ticket prices. Tickets required: bootbarnhall.com.

CHANG – 7 p.m. and 9:30 p.m., 3E’s Comedy Club, 1 S. Nevada Ave., $ 25- $ 65. Tickets required: 3escomedy.com.

Spencer james – 7 p.m. and 9:30 p.m., Loonees Comedy Corner, 1305 N. Academy Blvd., $ 8. Tickets required: looneescc.com.

SATURDAY

Night of the Comedy – Benefiting Special Kids Special Families with headlining Josh Blue, 6-7:30 p.m., Hotel Elegante, 2886 S. Circle Drive. Registration required: sksfcolorado.org/event/noc.

COLD – With New Dilemma, Waiting for Eternity, 7 p.m., Sunshine Studios Live, 3970 Clearview Frontage Road, $ 17 and up. Tickets required: sunshinestudioslive.com.

Sarah Groh and Jana Lee – 7-10 p.m., Red Gravy, 23 S. Tejon St .; redgravyco.com/blue-at-red-gravy-2.

Concert of emerging artists – 7 p.m., Broadmoor Community Church, 315 Lake Ave., $ 10 to $ 30. Tickets required: Chamberorchestra ofthesprings.org/emerging-artistry.

Psycho Blood Drive, Lamb Bed, Red Gremlin, Retention – 7 p.m., The Black Sheep, 2106 E. Platte Ave. Tickets required: blacksheeprocks.com.

A night of soul – With Tony Exum, Changing Faces, Michel’le Hewett, Freddie Jackson, 8 p.m., Pikes Peak Center, 190 S. Cascade Ave., $ 40 and up. Tickets required: pikespeakcenter.com.

Adam Cayton-Holland, Geoff Tice and Leslie Fox – 8 p.m., Lulu’s Upstairs, 107 Manitou Ave., Manitou Springs, $ 15. Tickets required: lulusdownstairs.com.

Great tone – 8:30 p.m., The Wild Goose Meeting House, 401 N. Tejon St., $ 5; wildgoose meetinghouse.com.

SATURDAY SUNDAY

Micki free – Blues rock, Saturday 7 p.m., Native American flute, Sunday 6 p.m., Stargazers Theater, 10 S. Parkside Drive, $ 15 – $ 20. Tickets required: stargazerstheater.com.

SUNDAY

Concert of emerging artists – 2:30 p.m. – 4:30 p.m., First Christian Church, 16 E. Platte Ave., $ 10- $ 30. Tickets required: Chamberorchestraofthe springs.org/emerging-artistry.

Pikes Peak Philharmonic – 3 p.m., Ent Center for the Arts, 5225 N. Nevada Ave., $ 5- $ 10. Tickets required: entcenterforthearts.org.

From ashes to the new – With All Good Things, Glass Helix, Current Failures, 7 p.m., Sunshine Studios Live, 3970 Clearview Frontage Road, $ 20 and up. Tickets required: sunshinestudios live.com.

OTEP – With The World Over, 7 p.m., The Black Sheep, 2106 E. Platte Ave., $ 18. Tickets required: blacksheerocks.com.

WEDNESDAY

Colorado Springs Contemporary Jazz Big Band – 6-8 p.m., Lulu’s Downstairs, 107 Manitou Ave., Manitou Springs. Tickets required: tinyurl.com/nmmtkfsu.

Luc Combs – With Ashley McBryde and Drew Parker, 7 p.m., The Broadmoor World Arena, 3185 Venetucci Blvd., go online for ticket prices. Tickets required: worldarena.com.

WEDNESDAY AND OCT. 27

STNDRD – 7:30 p.m., The Gold Room, 18 S. Nevada Ave., $ 25. Tickets required: goldroom live.com.

OCT. 21

Colorado Springs Conservatory Jazz Night – 7 p.m., The Warehouse Restaurant Gallery, 25 W. Cimmaron St., $ 5 to $ 20. Tickets required: coloradospringsconservatory.org/event/ jazz-nite-oct-2021.

Barry spaeth – 7-10 p.m., Red Gravy, 23 S. Tejon St .; redgravyco.com/blue-at-red-gravy-2.

KBong – With Johnny Cosmic, 7 p.m., The Black Sheep, 2106 E. Platte Ave., $ 15. Tickets required: blacksheerocks.com.

Arius – 8 p.m., Sunshine Studios Live, 3970 Clearview Frontage Road, $ 17- $ 37. Tickets required: sunshinestudioslive.com.

OCT. 21-23

“Behind the Facade” – A Broadway Revue – 6:30 p.m. to 8:30 p.m. October 21-23, 2 to 4 p.m. October 23, Village Seven Presbyterian Church, 4052 Nonchalant Circle South. Free tickets required: villageartscs.org/behind-the-facade-a- broadway-revue.

OCT. 22

Illegal cheese – 6-8 p.m., Buffalo Lodge Bicycle Resort, 2 El Paso Blvd .; bikeresort.com.

Spinphony – 7 p.m., Stargazers Theater, 10 S. Parkside Drive, $ 17. Tickets required: stargazerstheater.com.

Aaron watson – 7 p.m., Boot Barn Hall at Bourbon Brothers, 13071 Bass Pro Drive, $ 35- $ 65. Tickets required: bootbarnhall.com.

Stupid children – 7 p.m., The Black Sheep, 2106 E. Platte Ave., $ 10. Tickets required: blacksheep rocks.com.

Craig walter – 7-10 p.m., Red Gravy, 23 S. Tejon St .; redgravyco.com/blue-at-red-gravy-2.

Gasoline lollipops – With Austen Carroll, 8 p.m., Lulu’s Upstairs, 107 Manitou Ave., Manitou Springs, $ 10. Tickets required: lulusdownstairs.com.

OCT. 22-23

Affion Crockett – 7 p.m. and 9:30 p.m., 3E’s Comedy Club, 1 S. Nevada Ave., $ 25- $ 65. Tickets required: 3escomedy.com.

Gabriel Rutledge – 7 and 9:30 p.m., Loonees Comedy Corner, 1305 N. Academy Blvd., $ 8. Tickets required: looneescc.com.

OCT. 22-23 AND OCT. 29-31

“Rocky Horror Picture Show” – Melodrama Dinner Theater, 9 p.m., The Iron Springs Chateau, 444 Ruxton Ave., Manitou Springs, go online for ticket prices; ferspringschateau.com.

OCT. 23

Jeff Dunham – 5 p.m., The Broadmoor World Arena, 3185 Venetucci Blvd., $ 50 and up. Tickets required: worldarena.com.

SofaKillers – 7 p.m., Boot Barn Hall at Bourbon Brothers, 13071 Bass Pro Drive, $ 20 to $ 35. Tickets required: bootbarnhall.com.

Sol x Sam Lachow –With Juughead Jones, 7 p.m., The Black Sheep, 2106 E. Platte Ave., $ 18. Tickets required: blacksheerocks.com.

Elton Dan and the Rocket Band – Tribute to Elton John, 7 p.m., Stargazers Theater, 10 S. Parkside Drive, $ 20- $ 25. Tickets required: stargazerstheater.com.

N9ne technology – 7 p.m., Sunshine Studios Live, 3970 Clearview Frontage Road, $ 35. Tickets required: sunshinestudioslive.com.

A night of music and dance – With Boa and the Constrictors, 7 p.m., The Gold Room, 18 S. Nevada Ave., $ 5. Tickets required: goldroomlive.com.

Deryk cunningham – 7-10 p.m., Red Gravy, 23 S. Tejon St .; redgravyco.com/blue-at-red-gravy-2.

Janae Burris, Gabby Gutierrez-Reed and Mel Klema – 9 p.m., Lulu’s Upstairs, 107 Manitou Ave., Manitou Springs, $ 10. Tickets required: lulusdownstairs.com.

OCT. 23-24

Art for André – For the benefit of the future Saint-André house of the Sacré-Cœur parish, with works by Father Ron Raab, live music and more, 4 p.m. to 8:30 p.m. on October 23, 8:30 a.m. to 1:30 p.m. October 24, Sacré Heart Parish Center, 2021 W. Pikes Peak Ave .; 719-633-8711, Sacredheartcos.org.

OCT. 23-NOV. 21

“Balloonacy” – Colorado Springs Fine Arts Center at Colorado College, 30 W. Dale St., $ 10 to $ 20. Tickets required: fac.coloradocollege.edu/theatre-events/balloonacy.

OCT. 24

Doll skin – With Gymshorts, 6 p.m., The Black Sheep, 2106 E. Platte Ave., $ 13. Tickets required: blacksheerocks.com.

Gypsies, Doves & Dreams – With Robb Stewart, 6 p.m., Stargazers Theater, 10 S. Parkside Drive, $ 20 to $ 25. Tickets required: stargazerstheater.com.

OCT. 25

PPCC Halloween Concert – 7 to 9 p.m., Pikes Peak Community College, Centennial Campus, 5675 S. Academy Blvd .; ppcc.edu/calendar.

OCT. 26

Hellzapoppin – 7 p.m., Sunshine Studios Live, 3970 Clearview Frontage Road, $ 20 to $ 40. Tickets required: sunshinestudioslive.com.

Golden Dawn Arkestra – 7 p.m., The Black Sheep, 2106 E. Platte Ave., $ 15. Tickets required: blacksheerocks.com.

OCT. 27

Eyes ready to kill – With The Funeral Portrait, Misery, 8 p.m., Sunshine Studios Live, 3970 Clearview Frontage Road, $ 12. Tickets required: sunshinestudioslive.com.

OCT. 28

Duo of mixtures – 7-10 p.m., Red Gravy, 23 S. Tejon St .; redgravyco.com/blue-at-red-gravy-2.

Brett Eldredge – 7:30 p.m., The Broadmoor World Arena, 3185 Venetucci Blvd., $ 35 and up. Tickets required: worldarena.com.

Therese Caputo – 7:30 p.m., Pikes Peak Center, 190 S. Cascade Ave., $ 42.75 – $ 92.75. Tickets required: pikespeakcenter.com.

You look like – Comedy Roast with Jonny & Brian, 7:30 p.m., Loonees Comedy Corner, 1305 N. Academy Blvd., $ 8. Tickets required: looneescc.com.

UNTIL OCT. 24

“A flea spare part” – Springs Ensemble Theater, 1903 rue E. Cache La Poudre, $ 20, $ 15 for seniors and military personnel. Tickets required: springsensemble theatre.org.

“Guadalupe in the bedroom” – Colorado Springs Fine Arts Center at Colorado College, 30 W. Dale St., $ 20- $ 45. Tickets required: fac.coloradocollege.edu/theatre-events/guadalupe-in-the-guest-room.

UNTIL OCT. 29

“I was, I will be” – works by Su Kaiden Cho, The Modbo, 17 s. E. Bijou St.; themodbo.com.

“Declare unwanted plants” – Work of the Environmental Performance Agency, GOCA Downtown, 121 S. Tejon St., Suite 100; gocadigital.org/exhibitions/environmental performance agency.

“Alchymia”- works by Brenda Stumpf, G44 Gallery, 121 E. Bijou St .; g44gallery.com.

UNTIL OCT. 30

Pikes Peak Pastel Society Member Show – Academy Art & Frame Co., 7560 N. Academy Blvd .; academyframesco.com.

Pikes Peak Watercolor Society Members Show – Manitou Art Center, 513 Manitou Avenue, Manitou Springs; mantouartcenter.org.

“A duo of bakers” – works by Linn G. Baker and Tim Baker, The Bridge Gallery, 218 W. Colorado Ave .; thebridgeartgallery.com.

“Chromesthesia: the art inspired by music” – Cottonwood Center for the Arts, 427 E. Colorado Ave .; cottonwoodcenterforthearts.com.

UNTIL OCT. 31

works by Carole Patton and Marlene Mihelich – Arati Artist Gallery, 2425 W. Colorado Ave .; aratiartistsgallery.com.

Exhibition “The Aspen Show” – Laura Reilly Fine Art Gallery and Studio, 2522-A W. Colorado Ave .; laurareilly.com, 719-650-1427.

UNTIL NOV. 1

“Dissolved ink / Discovered images” – works by Pete Hokanson and Wilhelmina Steenbergen, Commonwheel Artists Co-op, 102 Canon Ave., Manitou Springs; commonwheel.com.

UNTIL DEC. 5

Ronny Quevedo: “To the line” – Colorado Springs Fine Arts Center at Colorado College, 30 W. Dale St., $ 5-10. Tickets required: fac.coloradocollege.edu/theatre-events/la-cage-aux-folles.

UNTIL DEC. 12

“High + Low” retrospective D. Dominick Lombardi “ – Marie Walsh Sharpe Contemporary Art Gallery, Ent Center for the Arts, 5225 N. Nevada Ave .; entcenterforhearts.org.

UNTIL APRIL 17

Brett Weston: “Working towards abstraction” – Colorado Springs Fine Arts Center at Colorado College, 30 W. Dale St., $ 5-10. Tickets required: fac.coloradocollege.edu/theatre-events/la-cage-aux-folles.

COMPILED BY CARLOTTA OLSON, LA GAZETTE, 636-0221, CARLOTTA.OLSON@GAZETTE.COM


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Jim dyke https://binggallery.com/jim-dyke/ Wed, 13 Oct 2021 11:32:23 +0000 https://binggallery.com/jim-dyke/ There are those who make a huge contribution to Arkansas. Some do it in business, others in the public service, and still others in the arts. Jim Dyke was one of those people who made a huge contribution to the arts. Jim Dyke knew art and loved French painting. He donated more than 130 watercolors […]]]>

There are those who make a huge contribution to Arkansas. Some do it in business, others in the public service, and still others in the arts. Jim Dyke was one of those people who made a huge contribution to the arts.

Jim Dyke knew art and loved French painting. He donated more than 130 watercolors by Paul Signac to the Arkansas Arts Center, now renamed the Arkansas Museum of Fine Arts. The center has built a special gallery to exhibit them.

His contributions were even more important. He was a major financial supporter of the Arkansas Arts Center, donating not only his money but also his time, business acumen and creativity to make it a success. He has held many positions, including that of president of his foundation.

Jim was one of those Arkansans who left the state, got a great education – in his case at Georgia Tech and Yale – and returned to his hometown to make it even better. A native of Fort Smith and a resident of Little Rock, he loved the state and its people. He has contributed to several programs that he believes would make a difference for Arkansas and Arkansans. He became convinced that Arkansas is a state for the 21st century.

He was a shrewd businessman with extensive holdings in timberlands and forest products. Later in life, he and his family made their mark in Napa Valley with their winery.

Jim displayed understated sophistication. His love for his family was unmistakable, and he was also a devoted friend. He had a great sense of humor and his laughter made everyone happier. He rarely sought out the limelight, but especially for those who knew him, his influence was everywhere.

Arkansas’ greatest asset is its people. Arkansas was certainly bigger for the life and dedication of Jim Dyke.


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Calendar of events Around the neighborhood on October 13, 2021 | Cheyenne Edition https://binggallery.com/calendar-of-events-around-the-neighborhood-on-october-13-2021-cheyenne-edition/ Tue, 12 Oct 2021 06:08:52 +0000 https://binggallery.com/calendar-of-events-around-the-neighborhood-on-october-13-2021-cheyenne-edition/ THURSDAY Government Affairs Ballot Review: Chamber Connect – 11:15 a.m.-1: 00 p.m., Jack Quinn’s Irish Pub and Restaurant, 21 S. Tejon St., $ 5 for non-Colorado Springs Chamber & EDC members. Registration required: tinyurl.com/y9rk8x7a. Under pressure – Mediterranean cooking class – 6-8 p.m., Gather Food Studio, 2011 W. Colorado Ave., $ 55. Registration required: Collectfoodstudio.com. […]]]>

THURSDAY

Government Affairs Ballot Review: Chamber Connect – 11:15 a.m.-1: 00 p.m., Jack Quinn’s Irish Pub and Restaurant, 21 S. Tejon St., $ 5 for non-Colorado Springs Chamber & EDC members. Registration required: tinyurl.com/y9rk8x7a.

Under pressure – Mediterranean cooking class – 6-8 p.m., Gather Food Studio, 2011 W. Colorado Ave., $ 55. Registration required: Collectfoodstudio.com.

FRIDAY

White Cane Day Celebration and Rally – Celebrate the white cane as a symbol of blindness and a tool of independence with speakers, student presentations and garden games, 10 am-11:30am, Acacia Park, 115 E. Platte Ave .; dtaylor@csdb.org.

City State – 11:30 a.m. to 1 p.m., The Broadmoor, 1 Lake Ave., $ 75- $ 90. Registration required: tinyurl.com/djrn42rk.

Spur – 6-8 p.m., Buffalo Lodge Bicycle Resort, 2 El Paso Blvd .; bikeresort.com.

Would you like an empanadas cooking class – 5-8 p.m., Gather Food Studio, 2011 W. Colorado Ave., $ 75. Registration required: Collectfoodstudio.com.

John Spengler – 7-10 p.m., Red Gravy, 23 S. Tejon St .; redgravyco.com/blue-at-red-gravy-2.

Tasha Cobbs – 7:30 p.m., Pikes Peak Center, 190 S. Cascade Ave., $ 48 and up. Tickets required: pikespeakcenter.com.

Veronika String Quartet – 7:30 p.m. to 9 p.m., Colorado College, Packard Hall, 5 W. Cache La Poudre St., $ 25. Tickets required: veronikastringquartet.com.

Ryan Flores – 8:30 p.m., The Wild Goose Meeting House, 401 N. Tejon St., $ 5; wildgoosemeetinghouse.com.

FRIDAY SATURDAY

CHANG – 7 p.m. and 9:30 p.m., 3E’s Comedy Club, 1 S. Nevada Ave., $ 25- $ 65. Tickets required: 3escomedy.com.

SATURDAY

Cool Science Festival Special Event: City of Sunshine Family Workshop – 10 to 11:30 a.m., Colorado Springs Pioneers Museum, 215 S. Tejon St. Registration required: cspm.org.

All About Pork Cooking Class – 6-8 p.m., Gather Food Studio, 2011 W. Colorado Ave., $ 75. Registration required: Collectfoodstudio.com.

Night of the Comedy – Benefiting Special Kids Special Families with headlining Josh Blue, 6-7:30 p.m., Hotel Elegante, 2886 S. Circle Drive. Registration required: sksfcolorado.org/event/noc.

Sarah Groh and Jana Lee – 7-10 p.m., Red Gravy, 23 S. Tejon St .; redgravyco.com/blue-at-red-gravy-2.

A night of soul – With Tony Exum, Changing Faces, Michel’le Hewett, Freddie Jackson, 8 p.m., Pikes Peak Center, 190 S. Cascade Ave., $ 40 and up. Tickets required: pikespeakcenter.com.

Great tone – 8:30 p.m., The Wild Goose Meeting House, 401 N. Tejon St., $ 5; wildgoosemeetinghouse.com.

SATURDAY-OCT. 31

Boo at the zoo – 4 p.m. to 8:30 p.m. Saturdays and Sundays, Cheyenne Mountain Zoo, 4250 Cheyenne Mountain Zoo Road, $ 19.75 – $ 24.75. Tickets required: cmzoo.org/boo.

SUNDAY

Breads from all over the world – Dutch Crunch Cooking Class – 10 a.m. to 1 p.m., Gather Food Studio, 2011 W. Colorado Ave., $ 65. Registration required: Collectfoodstudio.com.

Power Harvest Celebration – 5-8 p.m., Hillside Gardens, 1006 S. Institute St., $ 50. Reservations: tinyurl.com/3pmvc736.

MONDAY

Donation and Golf Day – Benefiting Junior Achievement of Southern Colorado, 11 a.m.-5 p.m., The Country Club of Colorado at Cheyenne Mountain Resort, 125 Clubhouse Drive, $ 200. Registration: tinyurl.com/p8kj6hc.

TUESDAY

Southern Colorado Women’s Chamber of Commerce Business Luncheon – 11 a.m.-1 p.m., The Pinery at the Hill, 775 W. Bijou St., $ 38- $ 50. Registration required: tinyurl.com/r5ppbpmj.

First aid courses, CPR, AED – 6-7:45 p.m., Bear Creek Nature Center, 245 Bear Creek Road, $ 75. Registration required: 719-520-6387; communityservices.elpasoco.com/nature-centers.

OCT. 20

Fall Dessert Bars Cooking Class – 11 a.m.-1 p.m., Gather Food Studio, 2011 W. Colorado Ave., $ 45. Registration required: Collectfoodstudio.com.

# Golf4Prevention – Benefiting the Becky Baker Foundation, 11 a.m. to 9 p.m., Broadmoor East and West Course, 1 Lake Ave. Registration: birdease.com/broadmoortourney.

Luke Combs – With Ashley McBryde and Drew Parker, 7 p.m., The Broadmoor World Arena, 3185 Venetucci Blvd., go online for ticket prices. Tickets required: worldarena.com.

OCT. 20 AND 27

The STNDRD – 7:30 p.m., The Gold Room, 18 S. Nevada Ave., $ 25. Tickets required: goldroomlive.com.

OCT. 27

Woman’s Club of Colorado Springs Fashion Show Luncheon and Fundraiser – 11 a.m., The Pinery at the Hill, 775 W. Bijou Street, $ 50. Paid reservations required by Tuesday: tinyurl.com/hyarv9t8.

UNTIL OCT. 24

“Guadalupe in the guest room” – Colorado Springs Art Center at Colorado College, 30 W. Dale St., $ 20- $ 45. Tickets required: fac.coloradocollege.edu/theatre-events/guadalupe-in-the-guest-room.

UNTIL OCT. 29

“I was, I will be” – works by Su Kaiden Cho, Le Modbo, 17 s. E. Bijou St .; themodbo.com.

“Declaration of undesirable plants” – Environmental Performance Agency Work, GOCA Downtown, 121 S. Tejon St., Suite 100; gocadigital.org/exhibitions/environmentalperformanceagency.

“Alchymia” – works by Brenda Stumpf, G44 Gallery, 121 E. Bijou St .; g44gallery.com.

UNTIL OCT. 30

“A duo of bakers” – works by Linn G. Baker and Tim Baker, The Bridge Gallery, 218 W. Colorado Ave .; thebridgeartgallery.com.

“Chromesthesia: the art inspired by music” – Cottonwood Center for the Arts, 427 E. Colorado Ave .; cottonwoodcenterforthearts.com.

UNTIL OCT. 31

works by Carole Patton and Marlene Mihelich – Arati Artist Gallery, 2425 W. Colorado Ave .; aratiartistsgallery.com.

“The Aspen Show” Exhibition – Laura Reilly Gallery and Art Studio, 2522-A W. Colorado Ave. ; laurareilly.com.

UNTIL DEC. 5

“Ronny Quevedo: On the line” – Colorado Springs Art Center at Colorado College, 30 W. Dale St., $ 5 to $ 10. Tickets required: fac.coloradocollege.edu/exhibits/ronny-quevedo-at-the-line.

UNTIL APRIL 17

Brett Weston: “Working towards abstraction” – Colorado Springs Art Center at Colorado College, 30 W. Dale St., $ 5 to $ 10. Tickets required: fac.coloradocollege.edu/theatre-events/la-cage-aux-folles.

UNTIL SEPT. 28

Quiz Night – 7 to 9 p.m. Wednesdays, Pikes Peak Lager House, 514 S. Tejon St .; tinyurl.com/48eexjcp.

UNTIL SEPT. 29

Music Video Bingo – 8 p.m. to 10 p.m. Thursdays, Pikes Peak Lager House, 514 S. Tejon St .; tinyurl.com/ys6ebzyb.

IN PROGRESS

SATURDAYS

Colorado Springs Pioneer Museum Guided Tours – 11-11: 45am, 215 S. Tejon St. Registration required: cspm.org/events.

To list an event taking place in zip codes 80903, 80904, 80905, or 80906, send the information at least two weeks in advance by email to calendar@pikespeaknewspapers.com. For citywide events, visit coloradosprings.com.


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Rare honor for the city artist: Ramteke’s exhibition at NGMA | Nagpur News https://binggallery.com/rare-honor-for-the-city-artist-ramtekes-exhibition-at-ngma-nagpur-news/ Sun, 10 Oct 2021 23:25:00 +0000 https://binggallery.com/rare-honor-for-the-city-artist-ramtekes-exhibition-at-ngma-nagpur-news/ Nagpur: veteran Central Indian artist and portrait painter Dr Pramodbabu Ramteke’s selected works from his six-decade creative journey have been on display at the National Gallery of Modern Art (NGMA), Fort, Mumbai, since the last week of September. Ramteke was selected by the Ministry of Culture, Government of India, for this “retrospective exhibition” at the […]]]>
Nagpur: veteran Central Indian artist and portrait painter Dr Pramodbabu Ramteke’s selected works from his six-decade creative journey have been on display at the National Gallery of Modern Art (NGMA), Fort, Mumbai, since the last week of September.
Ramteke was selected by the Ministry of Culture, Government of India, for this “retrospective exhibition” at the NGMA which is considered an award of excellence in the world of art and painting.
The ministry selects artists for this exhibition based on the artist’s utmost devotion and service to the fine arts.
“It is a rare honor for any painter. Canvas and color have been synonymous with my life for over sixty years now. I would like to continue working for as many years as possible, ”said Ramteke.
Ramteke is a Nagpurian born and an alumnus of the Sir JJ School of Arts from where he obtained his Masters of Fine Arts in Painting in 1975. He was part of the institution as a professor and then took his retired as director of painting department at Chitrakala Mahavidyalaya Government, Nagpur.
Ramteke is known to have painted the portrait of Dr Babasaheb Ambedkar which was officially accepted by the government. The same can be seen in public establishments.
Entitled “Open Mind – A Retrospective of Pramod Ramteke”, this exhibition is a milestone not only for him but also for the fine arts of Nagpur. Ramteke has now joined the league of Indian pillars of modern art. NGMA will send its catalog to international art galleries as a prominent Indian artist. The exhibition will end on November 20 at the Sir Cowasji Jehangir Public Hall of NGMA in Mumbai.


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