Your concise guide to New York art for December 2021



Beloved and besieged New Yorkers: from an immersive installation recreating the baroque living quarters of Colette Lumière, to a trio of shows from Columbia University’s rarely seen art collection, to a presentation by drawings by black artists from the southern United States, here are some exhibits worth bundling up (the latest can also be explored virtually). And be sure to follow the Guggenheim’s investigation into the bright and vibrant work of the inimitable Etel Adnan, who passed away last month.

Installation view, Arthur Simms: And I say, my brother had a really good day, halo, Martos Gallery, New York, 2021 (courtesy the artist and Martos Gallery; photo by Charles Benton)

When: until December 23
Or: Martos Gallery (41 Elizabeth Street, Chinatown, Manhattan)

Jamaican-born, New York-based artist Arthur Simms presents three decades of drawing and sculpture engaging in his long-standing exploration of his diasporic identity as well as his work at the intersection of folk art, of craftsmanship and art history. Found object assemblies feature trellises of string or wire that wrap and tie disparate objects together, including roller skates, rocking horses, feathers and, in the case of a piece inspired by Willem de Kooning and Marcel Duchamp, two bicycles with period toilets; relatively two-dimensional works concoct materials such as aluminum foil, photographs, hair and acetate.

Installation view, Gerald jackson, Gordon Robichaux, New York, 2021 (courtesy the artist and Gordon Robichaux; photo by Ryan Page)

When: until January 9
Or: Gordon Robichaux (41 Union Square West, # 925 and # 907, Union Square, Manhattan)

Arriving on the heels of the exhibitions at White Columns and Wilmer Jennings Gallery-Kenkeleba, Gordon Robichaux’s Gerald jackson completes a series of three New York shows devoted to artwork of the octogenarian artist, poet and performer. The New Jersey-based artist, who emerged on the downtown New York scene in the mid-1960s, offers paintings that explore the spiritual dimensions of color, particularly blue and green; found object sculptures of globes perched on teapots and sparkling CD-haloed figurines; and appropriate images that have been reproduced and then modified in chalk, pastel, watercolor and paint.

Etel Adnan: the new measure of light

Etel Adnan, Untitled, 2010. Oil on canvas, 7 7/8 × 9 7/8 in. (20 × 25 cm). Collection of Karen E. Wagner and David L. Caplan, New York. © Etel Adnan

Wchicken: until January 10
Or: Solomon R. Guggenheim Museum (1071 Fifth Avenue, Upper East Side, Manhattan)

Beirut-born novelist, poet and visual artist Etel Adnan passed away last November at the age of 96. His first investigation into a New York City museum, which opened before his death, presents leporellos (accordion-folded books), tapestries and paintings stretching from the 1960s, just a few years after she first picked up a paintbrush in California, to the present day. Oscillating between abstraction and figuration, Adnan’s vibrant and lucid celebrations of the sublimity of nature – mountains made of brightly colored boulders, a luminous circle suspended above a horizon line – are like a stroke of light. pure joy.

Installation view, Anna KE: Blowing from the East Fallen leaves gather in the West, Simone Subal Gallery, New York, 2021 (courtesy the artist and Simone Subal Gallery; photo by Dario Lasagni)

When: until January 15
Or: Simone Subal Gallery (131 Bowery, 2nd floor, Chinatown, Manhattan)

Born in Tbilisi, Georgia, and based in New York City, former ballerina Anna KE works through drawing, video, performance, sculpture and installation to explore utopian aspirations embedded in modernist architecture and relationships between bodies and their constructions (architectural, social, and virtual). Blowing from the East Fallen leaves gather in the West brings together an architectural model in metallic zinc built with magnets, temporary walls methodically squared with construction chalk and large mixed media drawings that evoke construction schemes.

Installation view, Alice Trumbull Mason: Shutter Paintings, Washburn Gallery, New York, 2021 (courtesy Washburn Gallery; photo by Christopher Burke Studio)

When: until January 15
Or: Washburn Gallery (177 10th Avenue, Chelsea, Manhattan)

Alice Trumbull Mason, painter, printmaker, and proponent of non-objective art who co-founded the American Abstract Artists group in 1936, is one of the figures entitled to a reassessment of the dominant – typically white, male – narrative of American Abstraction. . Entitled after a sentence from Will Heinrich’s contribution to a Mason monograph published last year, Window Paintings presents 16 mature paintings made between 1960 and 1966 which are characterized by hard geometric ribbons of color descending vertically, sometimes askew, along the canvas.

Thornton dial, Posing movie stars holding the bird of freedom, 1991. Watercolor and graphite on wove paper. 30 × 22 in. (76.2 × 55.9 cm). The Morgan Library & Museum, Gift of the Souls Grown Deep Foundation from the William S. Arnett Collection and purchase from the Manley Family Fund, 2018.97r. Photograph by Janny Chiu © Thornton Dial / Artists Rights Society (ARS), New York

When: until January 16
Or: online & The Morgan Library & Museum (225 Madison Avenue, Murray Hill, Manhattan)

In 2018, Morgan acquired 11 works from the Souls Grown Deep Foundation, a nonprofit dedicated to promoting the work of black artists in the southern United States. Built around the recent acquisition and several loans, this primarily drawing-oriented exhibition showcases the work of eight artists including Thornton Dial and Sister Gertrude Morgan. Highlights include a multimedia work by Nellie Mae Rowe that depicts the artist with her “Playhouse” and a found book Purvis Young illustrated with basketball and soccer players, a facsimile of which can be seen. here.

Installation view, Colette Lumière: Notes on baroque life, Colette and her living environment 1972 -1983, Company gallery, New York, 2021 (courtesy the artist and the Company Gallery)

When: until January 22
Or: Company Gallery (145 Elizabeth Street, Lower East Side, Manhattan)

The fabulous, ever-evolving transdisciplinary artist Colette Lumière, who “died” at the Whitney in 1978 and was reborn as executor of her estate and no-wave musician at MoMA PS1 days later, is the subject of this media outlet. immersive. -permanent exposure to the company. Discover a reconstructed part of the “living environment” of the artist born in Tunisia and based in New York (1972-1983), the downtown Manhattan loft that she transformed into a “cave of fantasy” – with herself, a living sculpture, at its center – using ruched satin, light boxes , mirrors, ropes, etc.

Francisca Benítez, Riego, 2021. Installation view, In support, The Kitchen, 2021 (courtesy The Kitchen; photo by Kyle Knodell)

When: until March 12
Or: The Kitchen (512 West 19th Street, Chelsea, Manhattan)

Presentation of new commissions through the media by Fia Backström, Francisca Benítez, Papo Colo and Clynton Lowry, In support goes beyond The Kitchen, from its standard viewing galleries to areas where artwork is typically not on display, such as storage spaces and administrative offices. The thought-provoking exhibition revolves largely around – and mired in the complex realities of – institutional support, including the types of work that artistic institutions usually make invisible; Lowry, for example, takes the work of handling and caring for artwork as the subject matter in a series of 360-degree videos and accompanying installation.

Unknown photographer, Fisk’s Jubilee Singers, 1882-1885. Woodburytype print. Art Properties, Avery Architectural & Fine Arts Library, Chandler Chemical Museum Collection (courtesy Wallach Art Gallery)

When: December 3 to March 13
Or: Wallach Art Gallery at Columbia University Lenfest Center for the Arts (615 West 129th Street, West Harlem, Manhattan)

Three concurrent exhibitions at the Wallach Art Gallery showcase over 150 rarely seen works of art and cultural heritage collected over the past two centuries from Columbia’s Collection of Art Properties, which includes more than 13,000 pieces from Antiquity to the present day. The shows cover very different terrains. What is Buddhist art for? considers the social lives and ritual uses of a variety of Buddhist objects; Time and face thematically groups together photographs ranging from daguerreotypes to pigment prints from contemporary archives; and Object relations combines Indigenous cultural objects related to children and the future with the work of contemporary Indigenous artists Wendy Red Star, Skawennati, Dakota Mace and Sonya Kelliher-Combs.

Gala Porras-Kim, Panel by Precipitation for an arid landscape, 2021, Seven panels, each 72 x 72 inches, Colored pencil and flash on paper (courtesy of the artist and the Amant Foundation)

When: until March 17
Or: Amant Foundation (315 Maujer Street, East Williamsburg, Brooklyn)

Concept-oriented artist, born in Bogotá and based in Los Angeles, Gala Porras-Kim has always been interested in the institutional treatment and classification of cultural objects, antiques and heritage sites. Covering drawing, sculpture, video, sound art and ephemera such as letters, newspaper clippings and books, which are housed in a dedicated research module, Precipitation for an arid landscape brings an incisive look at the contemporary presentation of a looted Mexican pyramid, the historical tales behind a Neolithic site in Turkey, and the Harvard Peabody Museum’s conservation of objects dredged up in a sacred cenote.

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